Posts Tagged ‘Behind The Project’

Behind the Project: Stamps, Post Denmark

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Peter Dam is a Odense, Denmark- based illustrator and designer. “Stamps, Post Denmark” is his first project on Behance.

What was your inspiration for this project?
I was working on another project making a visual portrait of Denmark. When surfing the web for pictures of Denmark, I suddenly spotted—between two pictures of Hans Christian Andersen—a funny picture of a plate with two pieces of danish. I remember thinking “that’s so typical of Danish culture!”

Later that day, I was waiting in line at the post office and saw a new stamp series with a motif of Danish allotments in the sun. That was also so typical of Danish culture!
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Behind the Project: Experiments with Instagram

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Javier Perez is an Ecuador- based graphic designer and audivisual producer. His other projects include experimental animations, clever stop-motion ads and playful projects using Vine. We spoke with him about his recent projects Instagram Experiments, part I and II. 

What was your inspiration for this project?
The simplicity within common every day items. These objects are beautiful by themselves and my work is to add a visual meaning to them. Every day I discover different meanings.

InstaExperiments1
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Behind the Project: A Different Family Portrait

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Camilla Cantrambone is a Florence based photographer. Her other projects include the cover of “Piazza Italia” magazine, and playful posters and direction for the Little Veg Book. We spoke with her about her recent project “Portraits of my Family,” creative takes on the traditional portrait using beloved objects.

What was your inspiration for this project?
I’ve always been fascinated by objects, and I think every person is represented by their personal objects; the objects they choose and the way they use them tells you a story. When I started doing this project, I felt that the objects belonged to my relatives. They were still full of energy and capable of reminding me of moments I shared with them. In order to recreate specific memories, I started to reorganize these objects. For example, if I look at an image of my grandpa Mario, I can go back to a time when we sat at his writing table and fully feel the mood of that moment. The objects represented in every picture don’t talk about the entire life of my grandpa, but they deeply describe a moment I shared with him.


“The objects represented in every picture don’t talk about the entire life of my grandpa, but they deeply describe a moment I shared with him.”



 Did you expect it to be as popular as it’s been on The Behance Network?

Not at all! Being a personal project I’d never thought to be so popular, but I’m glad I could communicate and share my feelings to people I don’t even know

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Behind the Project: Voting System Behance Reviews

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Pau Alekumsalaam and Dani Llugany are the cofounders of Domestic Data Streamers, a Barcelona based creative labTheir other projects include various forms of data visualization, art installations, sculptures, and even handmade cards. We spoke with them about their project “Voting System Behance Reviews,” a voting system that allowed attendees at their Behance Review to visualize the popularity of projects they voted for. 

1) What was your inspiration for this project?
Following Domestic’s “modus operandi” and working as a creative laboratory, we try to focus on new visualization methods. There was a significant evolution between the first project -where we worked two-dimensionally- and the last one. It was conceptually designed to take place in one of the rooms in the Moritz factory, an old beer factory remodeled under the instructions of Jean Nouvel. You can imagine what a challenge it was for us!

We were interested in translating votes into a piece of work that had a relevant presence in the. Our intention was to generate a dynamic data stream that was reordered and created a tridimensional graphic—which was a literal bar chart.


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Behind the Project: Instagram Redesign Concept

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Aymon Shaltoni is a freelance Art Director and designer specializing in Web and Graphic design. His other projects include numerous brand designs, several mobile apps,  as well as a redesign concept for Google. We spoke with him about his project “Instagram Redesign Concept”

1) What was your inspiration for this project?
Instagram is one of the most distinctive social networks, so my inspiration was initially personally motivated.  I felt like there was a lot to improve in the Instagram design: the app needs new concept with some new features.

2) Can you describe your process in creating this project?
Dealing with social networking requires understanding user. I made a new concept redesign of the application with these new features:

Login interface
New simple design; flat and out of the way.

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Behind the Project: Infographic Feast

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Ryan MacEachern is a Bristol, UK based design student. His works include a project featured in the curated Branding gallery, as well as an innovative take on the bookmark. We spoke with him about his recent project, “food x design”, an infographic tracing his eating habits over two weeks.

1) What was your inspiration for this project?
I’m currently studying Graphic Design and was an assignment to collect a weeks worth of data on a personal habit and then create an infographic poster.  My biggest inspiration while doing this was a project by Peter Ørntoft called “Information Graphics in Context” that I had seen years ago on Behance. I was astounded by the simple concept and striking visuals and knew I wouldn’t be happy creating a vector based solution if I were to create an infographic myself. So, years later and working on this assignment, it immediately struck me to use actual food to chart my food intake. To my surprise, I couldn’t find any projects online that had used this before.

2) Can you describe your process in creating this project?
I knew I wanted to track my food intake and wanted to create a photographic solution. I briefly explored digital, but it was soon apparent the photographic idea stood out and communicated information more effectively.
I had just started a low carbohydrate diet that was very dull and boring in appearance and considered stopping the diet in order to create a more colorful and varied project. Ultimately, I decided to use the food simply as a visual aid and didn’t directly link it to my actual consumed food.
I’m a capable photographer, but felt overwhelmed by the task ahead of me—I did some test shoots using natural light and the photos needed extensive post-production work. Luckily, a friend was able to help me get ahold of some studio lights and I set them up in my living room. I also spent around £60 on food, which about 2 weeks worth of food on a student’s budget, so I made sure it didn’t go to waste. It was very strange cooking a whole chicken at 3 a.m. just to take photos of it.

3) Did you expect it to be as popular as it’s been on The Behance Network?
Loads of blogs have picked it up and I’m getting a steady flow of followers on Behance, but I really didn’t expect it to get such immediate attention. I thought the work was good and nice to look at, but I wasn’t so sure other people would be able to see how much work went into it I’m really glad people like it, Im surprised at how extensive the behance community is I have had people follow me from all over the world which really is a great feeling.

4) Did you go through many versions and iterations before coming up with these final pieces?
This project has two main components: the visual, which in this case is a graph or pie chart, and typography, which communicates all the data and helps the flow. It was challenging to balance them both. Once I chose a font, my next challenge was to adjust lines and labeling to ensure the project wasn’t too crowded with text.

5) Do you feel that this project is “done,” or is there anything you’d like to improve on or change in the future?
The assignment only lasted two weeks, so I’m not sure I worked out all the kinks in the design. I’d like to return to the project soon and make it more extensive, covering other areas, like weight. I’d also like to work more on the coloring.

Behind the Project: Subjective Guide to Life

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Michael Pharaoh is a New Zealand based graphic Designer. His other projects include a rebranding of Cadbury’s chocolate using 3-D modeling and a brand identity for a hypothetical bicycle club. We spoke with him about his recent project Michael’s Guide to Life, a guidebook based on personal experience and advice, modeled after family health books.

What was your inspiration for this project?
I personally just wanted a way to collect what I thought were important pieces of advice or skills I’ve picked up that have helped me through my life. I’ve always liked the design aesthetic of those big family health guidebooks, so I drew inspiration from that and wanted to create one for life.

Behind the Project: Repair Rather Than Replace

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Katie Tonkovitch is a San Francisco based designer. Her other projects include branding for San Francisco dive bar, The Makeout Room as well as timeline based packaging for those trekking through the Himalayas. We spoke with her about her recent project, Mend.

What was your inspiration for this project?
Most of my projects have an element of sustainability to them. The final form was both inspired and limited by existing within those parameters. I think the creative challenge of
balancing aesthetics and function, of striving for both beauty and reusability, was a lot of what made this project successful.

The limited materials I chose drove the design to a high degree. One of the first things I did was hunt down the reusable containers and recycled papers, and make the decision that I was only going to use black ink. Discovering what typefaces and design elements played nicely within those parameters was a large part of my inspiration. For instance, the choice to use colored thread to color-code the different kits was born out of the fact that I limited myself to a single color of ink.

Can you describe your process in creating this project?
The design brief was the primary challenge. This was a fairly open-ended student project, so I really wanted to have a fully fleshed-out concept before I even began sketching. I wanted to do something in the world of sustainability, and spent considerable time brainstorming about how buying a new collection of stuff could possibly be a sustainable act. It then occurred to me that if that stuff helped you mend what you already had, it would be preventing you from buying things you didn’t need. The driving concept became: Don’t buy more stuff; mend what you have.

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Behind the Project: Explosive Emotions

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Coming Soon is a Belgian based design and branding studio. Their other projects include chalk-drawing branding for  Jameson Whiskey as well as an exploration of what goes into producing a 3-D Comic. We spoke with them about her recent project, Emotion Series, a collection of expressive portraits for a cultural center. 

What was your inspiration for this project?
One of our clients is a cultural center in Belgium and we did a full rebranding for them, from logo to magazine and website. For over 3 years we have been doing the campaign images—the concept is culture with impact . Every year we make a new series of 5 images. This year we wanted to work with pure emotions: emotions people feel when they go to the cultural center during a concert or performance.


“For over 3 years we have been doing the campaign images—the concept is culture with impact . Every year we make a new series of 5 images. This year we wanted to work with pure emotions: emotions people feel when they go to the cultural center during a concert or performance”


Can you describe your process in creating this project?
Since we were working with emotions we had to find nice characters. We did a casting, where we selected 30 people from a group of 200. We shot the photographs over three days. We even picked up people from the street in the end, like they do on street castings.
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Behind the Project: Dreamy Swim-scapes in time for Summer

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Yuku Shimizu is a New York based illustrator. She has won numerous awards for her work (and was named one of Newsweek Japan’s 100 Japanese People the World Respects). Her other projects include illustrations for the New York Times Book Review as well as a collection of commissioned illustrations repurposed to create “slightly demented children’s stories.” We spoke with her about her recent project, Into the Water, a collection of images focusing on swimming and the water.

What was your inspiration for this project?
This is actually a collection of illustrations I have made over the years for various clients.  Since I got an account on Behance, I’ve been thinking about how to present my work in a different context than on a personal website. What I have started doing lately is to put together different projects under a theme. The weather had gotten warmer in New York, and summer was about to start, so I decided to put together a theme of swimming and underwater.
I make a lot of images that fit this theme; I think it’s because I have severe hydrophobia. I never learned how to swim properly, and going into water deeper than my chest scares the hell out of me. But in my drawings, I can go anywhere. These are sort of my fantasy illustrations. Whenever I can use a water theme, I sneak it in!


 

I never learned how to swim properly, and going into water deeper than my chest scares the hell out of me. But in my drawings, I can go anywhere. These are sort of my fantasy illustrations.

 

 


Can you describe your process in creating this project?
Each project is completely different. They are all published work, so some of the themes were very open ended and let me do whatever I wanted, while others were more art directed. Usually the process of illustrating begins with receiving the story to illustrate. Then, I come up with some concepts and create an ink drawing based on an approved idea, and I finally finish the image with coloring on Photoshop.



Some images and projects do come easier than others, but some come harder than they should be, which can be a struggle. Easy or hard, finishing an image or a project gives me a sense of accomplishment like no other. I guess that’s why we’re artists!


Did you expect it to be as popular as it’s been on The Behance Network?
I am always very excited when a project I’ve posted gets featured; I’ve also received so many encouraging comments to continue producing work. This is a very supportive community, and I really appreciate that.

Did you go through many versions and iterations before coming up with these final pieces?
I do a neurotic number of thumbnails. For me, composition is just as important as the images or the concepts themselves. So, I do plan every little bubble in the picture. Sometimes move them around in the coloring stage till it feels right. Some images and projects do come easier than others, but some come harder than they should be, which can be a struggle. Easy or hard, finishing an image or a project gives me a sense of accomplishment like no other. I guess that’s why we’re artists!

Did anything interesting happen as a result of the success of this project?  (fans contacting you, job opportunities, blogs picking it up, etc).
This got picked up by multiple blogs and sharing sites within a day or two of being posted. I did get more phone calls for jobs since I posted, and some are new clients, but I didn’t ask them where they found me.  I am thankful for that there is an audience for my phobia turned into images. It is very humbling. Thank you.