Everyone remembers their first time…using Photoshop. Some of us remember life before layers (it was a dark, dark time) and while others might not even know what Creative Suite was. No matter when you clicked on your first brush tool, Photoshop has had an impact on the creative world beyond anyone’s wildest imagination. To celebrate Photoshop’s 25th Anniversary, Adobe and Behance have been on the lookout for twenty five of tomorrow’s creative superstars who have worked Photoshop’s magic into their process.
Since February, Behance members under twenty five that have uploaded and tagged their work “PS25under25″ have been dazzling us with their sweet ‘shopping skills. We’re excited to showcase the first three featured artists: Fredy Santiago, Tom Anders Watkins, and Shaivalini Kumar. Each has been created an original piece of art to celebrate the 25th anniversary and over the course of the next year, each of the will stage a two week takeover of the new Photoshop Instagram channel, sharing their story and their art with the world.
For more on these artists, check out the Adobe Inspire Blog Post here.
Read more →
Behance had a large presence at Adobe’s Creative Camp during SXSW this year. The two day long series included lessons, insights and conversations about creative tools and the creative process with Adobe & Behance evangelists, product managers & design experts. Both Roxanne Schwartz & Scott Belsky represented Behance in Austin with their talks which included tips and tricks on promoting your work on the web, insights on the rise of the creative economy, as well as a book signing for Behance’s first ever book, Super Modified.
Read more →
Middle Earth, Gotham City, and wherever it is The Wild Things are. What connects these seemingly distinct worlds is the art of illustrator Nico Delort. We got a chance to find out what makes him tick, and he how comes to visualize these worlds in his own unique way, as highlighted in his Best of 2014.
Your illustrations have an impressively large range, from the films of Werner Herzog to Charlie Brown, and yet you’re able to make them all visually work together when placed side by side. How do you go about choosing your subject matter and adding your unique visual style to it?
As far as choosing projects go, I usually always pick things that resonate with me on either an emotional level or an aesthetic level – also projects that I know I can put my personal touch on, like if someone asked me to do, say, an Adventure Time piece (as much as I love the show), I’d have a super hard time doing something because it’s so far from my own aesthetic and I’d have to change what makes it unique to fit my ‘vision’ and I don’t want to do that.
Can you describe your creative process when making an illustration?
For client work I always start out with a few thumbnails – once we find something we agree on, I move on to Photoshop to make a first draft of the selected thumbnail. All the preliminary work for my pieces is done digitally, as I love the flexibility the medium allows. I only move to the final ink artwork once my digital comp is 100% tight. I print out the lineart, transfer it on clayboard with carbon paper and then ink and scratch away.
Read more →
Starting off as a retoucher, Henrik Adamsen eventually quit his day job to become a professional fashion photographer. We were lucky enough to get to know Henrik, the incredible artist behind the project, Silverblack WOOL Campaign AW15. Find out why it wouldn’t be a bad idea to follow in Henrik’s footsteps, if you’re an aspiring artist.
Could you talk a little bit about how you started off as a photo retoucher and your development into a photographer? What was that progression like?
It was actually a very long transition from being a retoucher in the mid 90s… Then moving to London and working there for a while as a retoucher, then AD-assistant / artworker, moving on into graphics design/ArtDirection, and somewhere in there I started shooting just for fun. That then turned into something serious – so I kinda had to give up my day job. I just started getting too many jobs, that I either had to take days off to do, or to take care of them in the evening. In then end, it was the best decision I ever made – I highly recommend it!
Read more →
Visual artist, Henrique de França, uses pencil and charcoal in Stolen Childhood | drawing series to reveal elements of his own childhood, as well as themes of Catholicism in Latin America. Henrique was kind enough to share with us his process and inspiration for the drawings. There were many drawings that he chose to not include in this project, and it’s safe to say that all of us here on Behance can’t wait to see them!
What was your inspiration for this project? Is any of the subject matter in the illustrations autobiographical or inspired by personal observations?
This project is a collection of drawings I made throughout the last five years within the theme of memory. The subject, for me, automatically brings childhood to the center of the series, and although not biographical, I like creating images that resemble my own childhood and things I experienced when younger. The series also discusses themes such as catholic upbringing in Latin America, which I like to portray as a contemporary artist.
When you set out to make these drawings, did you know how many you wanted in the series, and what they would each ultimately look like, or did it develop as you went along?
No, I cannot be sure of how many drawings I will have at the end of the series when I start it. I go with the flow and the need to explore the theme.
Read more →
2014 is coming to an end and we’ve seen some incredible projects go viral this year. Here are the top 5 shared Behance projects on Twitter
We love these chocolate legos.
All by hand
Read more →
In this series, we’ll look deeper into some of the projects on Behance.net that are especially admired in our community. Gem Fletcher collaborated with Photographer Mads Perch to create the beautiful series Moving Time. Gem Fletcher is an Art Director who works with photographers around the world, creating award-winning photography, marrying highly conceptual art direction with the unique visual style of her collaborators. We were lucky enough to gain more insight into their project from Gem!
What was your inspiration for this project?
I’m really interested in the idea of destabilization. This takes different forms, sometimes it can be about creating an illusion, leaving the viewer questioning the construction of an image and sometimes it’s about exploring the tension between reality and fantasy.
With this project we wanted to play with using projection as a material, a method of transformation within the framework of a traditional portrait.
The project was something Mads and I had discussed for several months and although we had some specific technical and aesthetic ideas, we also wanted to leave room for play and exploration. Read more →
In this series, we’ll look deeper into some of the projects on Behance.net that are especially admired in our community. Carlos Arrojo created illustrations for the book “Geografía mágica” by Ana Cristina Herreros. He is well known for his use of watercolor and design, and considers himself a versatile illustrator and a responsible person who knows how to adapt to each project. We were lucky enough to hear more about his process and inspiration for the illustrations.
What was your inspiration for this project? How do you decide which color palettes to use?
When I start a project, I usually review documentation looking for ideas. In this case it wasn’t so necessary because I relied on personal drawings done previously. Siruela contacted me after seeing some watercolors where I played with the ambiguity between figure and landscape, recreating spaces and volumes by weaving lines. The book is called “Geografía mágica” and contains a number of legends about Spanish geography, with anthropomorphic mountains, enchanted lakes, giants, demons, heroes…
The content is very inspiring so it facilitates me to do the job. About color, I’ve worked with a lot of freedom, leaving me. My intention was that colors of each illustration transmitted the magic and fantasy of the histories, that’s the reason of that coloring.
Read more →
Are you ready to “make a dent in the universe”? As a creative, you no longer have to take a backseat. In fact, stepping up and embracing entrepreneurship is the fastest route to impact. But where do you start? And what sets the businesses that succeed apart?
To find out, we asked the bright minds behind companies like Google X, Warby Parker, Facebook, O’Reilly Media, and more to share their startup wisdom. Featuring hard-won wisdom from twenty leading entrepreneurs and designers, 99U’s Make Your Mark will arm you with practical insights for launching a purpose-driven business, refining your product, delighting your customers, inspiring your team—and ultimately—making something that matters.
In this series, we look deeper into some of the projects on Behance.net that are especially admired in our community. Brandon Ray is a self-taught animator specializing in stylized paper-based animation. Since he launched Paper Brain Productions, the company has won five awards at various international film festivals. In 2013, he was asked to create the music video for Bill Carter‘s song, “Anything Made of Paper.” Read ahead for more information on his process and how he came up with his ideas!
What was your inspiration for this project? What does the story/song mean to you?
The inspiration for the project comes from the songwriters themselves, Bill Carter and Ruth Ellesworth. The song was a gift they made for their friend Damien Echols, composed at a time in his life where he was waiting on death row, accused of a crime he didn’t commit. Damien had sent Bill and Ruth three paper roses as a gift when his wife Lorri Davis was visiting them. When Bill asked what he could give Damien as a gift in return while he was on death row, the answer was, “Anything made of paper.” So that’s what inspired Bill and Ruth to write the song. The hope we must cling to in the face of injustice. Read more →