Category: Community

ProSite Beginners Guide

ProSite is a personal portfolio site builder that syncs with Behance. ProSite takes the projects that you’ve already created for your Behance portfolio and turns them into a customizable portfolio website.

New to website building? Apprehensive to dive in and take that first step? This guide is perfect for beginners just getting started with ProSite. Check out how easy it is to build a beautiful and customized portfolio site of your own.

Click on the guide below to see the expanded view!

Behind the Project: Obama Mosaic Illustrations

Of all the art forms that might have you asking – “how’d they do that?” –  mosaic art might be one of the most mysterious. Charis Tsevis, a Greek visual designer, has made a career out of his unique creations – for clients like IKEA, The Wall Street Journal, TIME, and many more. Over the past few years, he’s created a series of immensely popular Barack Obama portraits, contributing illustrations, posters, and graphics to his campaigns in 2008 and 2012. Go behind the scenes and discover the inspiration, and step-by-step process to creating these. 

What was your inspiration for this project?
The inspiration was Barack Obama himself. Obama as the person, the politician, the idea.

Can you describe your process in creating this project?
The main idea behind all my Obama-related works is ‘Unity’. Obama consistently repeats himself with the phrase of “Out of many we are One”. Moreover, the relationship between the whole and its parts creates a fundamental base for all my work.

Once I have found the idea, I collect the various parts that are going to form the whole. I like to carefully select the right elements between many photos and graphics. I spend a lot of time carefully preparing all the small parts. Photographs have to be cropped, corrected and enhanced so they can express the specific meaning I want to emphasize. Typography has to be selected carefully. Verbal and visual content has to be in harmony. After that I select the portraits of Barack Obama that express what I want to say. Although I have bought various photos from different photographers, I still need to work on them. The most important aspect for me in a portrait is light. I want the person to be illuminated in a symbolic way.

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The Benefits of Portfolio Reviews

Graphic design blog You The Designer  featured a great post on the importance and benefits of Portfolio Reviews. Written by photographer and Behance user Gerome Soriano, this post was inspired by his involvement with Behance Portfolio Review Week and recaps some strong points on how valuable feedback can be for the creative community.

Here are some main points he made:
  • Get valuable feedback from people that know what they are talking about because they themselves have been through the same struggles you’re having
  • Step back. Being artists, we have the tendency to be too absorbed in what we do and the works we produce. Portfolio reviews are a good time to separate the work from the artist.
  • Know where you can go. With the feedbacks given by the reviewer and your answers to their questions you will have a better gauge of where your work is heading.
  • Address your dilemmas. Portfolio reviews are also a good time to bring up questions you’ve been struggling to answer.
  • Learn a trick or two. Successful people love recounting how they got their “break” into the industry.
  • Practice communication skills. Most artists, especially new ones, have problems speaking about their artwork. Portfolio reviews are great for practicing, enhancing and evaluating your communication skills.
  • Study how the experts do it. Study how the reviewers communicate. Evaluate their speech, the words and phrases they use.
  • Develop relationships. Portfolio reviews are a great way to gain new friends and business contacts.
  • Opportunities. Portfolio reviews can be a venue where you get “discovered”.
  • Step it up. Portfolio reviews are system shockers.  They reveal your greatest strengths and lowest weaknesses. They state the reality of the market for your work.

Full article HERE

Victory Lap: App UI’s, illustrating for charity, and more

Small or big, serious or silly, there are a lot of amazing success stories in the Behance community. That’s why we’ve started Victory Lap Fridays — a new series where we ask Behancers to celebrate their latest creative victory by sending us a tweet. Here are just a few of the #VictoryLap tweets we spotted last week.

A Closer Look with Aaron Bloom

We had the pleasure of interviewing Aaron Bloom, a graphic designer based in Seattle, whose typography and screen prints blew us away!

How long have you been a graphic designer?
For a little over five years now.

Do your personal projects differ from your professional work? If yes, how so?
Yes, and no… Most of my professional work will always be about creative problem solving with a strategy behind it. My personal work is all about experimenting so it doesn’t really have to do anything, it can be more of a feeling, it definitely influences how I approach my “work work”. Ideally I’d like to blur the line between the two as much as possible.

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Behind the Project: Dream Sequence

In this series, we’ll look deeper into some of the projects on that were especially admired in our community. This time, we spoke to Madame Peripetie, whose work with fashion, sculpture, and the human body is inspired by everything from Dali to Hitchcock to 80′s post-punk.. In a newer work, “Dream Sequence” (soon to be published in a book!) see her signature aesthetic in these sculptural, truly unique pieces.

What was your inspiration for this project?
The project started in 2009 as a commission for one of the NY magazines and turned into a long-term project that I have been photographing infrequently ever since. It was inspired by the Salvador Dali dream scene from the Alfred Hitchcock’s film Spellbound and is closely connected to archetypal dreams (investigated very closely by Gustav Jung) that occur in a transitional period of one’s life and often leave you in a sense of awe and reverence, staying in your mind long after you experienced them. The main idea was to create unconventional characters that radiate the contemplative and poetic artificiality of Sugimoto’s wax sculptures, the hallucinogenic beauty of abstract surreal objects and incorporate physicality and intangibility at the same time. The hypnotic visual experience is being intensified by ephemeral flowers, hazy light and illuminated black background.

Can you describe your process in creating this project?
It is a very analytical approach towards a very specific color palette and a strong composition involving both solid preparation – costume and model-wise – and experimental approach on set where the magic happens! It is a mixture of theatrical images that has been composed fully by myself and also in collaboration with a stylist Rolf Buck. The 2012-2013 part is being created together with a stylist Stella Gosteva and make up artist Marina Keri, who both understand my vision completely and implement the ideas with an immaculate precision and skill. It is difficult to say how exactly a character will appear and evolve – sometimes it is the garment I see somewhere that inspires me, sometimes the texture and shape of the flowers that capture my attention or an unusual model that is being transformed into a bizarre persona. In the end, the interaction of all elements constitutes a final result.

Did you go through many versions and iterations before coming up with these final pieces?
The project fluctuates, the characters transform, the light set up differs from time to time and it is becoming more and more mosaic and complex to tell the same story with a surprising, bold twist. I find myself comparing the actual part with the older one – but it is pointless in a way because I see it as a perpetual creative process with heterogeneous evolutionary stages connected by the architecture of proportion and chromaticity.

Do you feel that this project is “done,” or is there anything you’d like to improve on or change in the future?

The series is planned as a book and exhibition this year and i will take it from there and see if it can evolve into a video work.

Did anything interesting happen as a result of the success of this project?  (fans contacting you, job opportunities, blogs picking it up, etc). 

You contacted me for this interview! Yes I have been receiving plenty of emails and messages, I shot a campaign and met several inspiring and very talented people. I had a pleasure to collaborate on the new set of dream sequence photographs with a fantastic team from BOO. design (Ana&Amy) that created beautiful paper pieces especially for this project.

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Behind the Project: Epic Infographic of Sony Music’s Timeline

In this series, we’ll look deeper into some of the projects on that were especially admired in our community. This time, we spoke to Alex Fowkes, a UK-based graphic designer who received a monumental brief: celebrate Sony Music’s 125 years by creating an giant infographic (containing the name of every artist who ever signed with Sony throughout their history) to go on Sony’s office walls. The result is incredible. 

What was your inspiration for this project?
The inspiration for this project was mostly the brief and the content itself – that drove a lot of how it needed to look and function. The layout of the type came down to me deciding that I wanted to deliver the content in columns, much like a newspaper. This was due to the vast amount of information that needed to be displayed and most of all understood.

Can you describe your process in creating this project?
The project was 6 months from first meeting to the press releases going out. I pitched for the project with my ideas, and once I was chosen, the biggest part of the process was for filling my proposal. With only myself to set almost 1,000 of the music industries biggest names, there was a large mountain to climb. I spent over 2 months everyday setting names into the columns and drawing images for the bigger names artists. Once all the artwork was completed and signed off it was off to the printers to be made and then one long weekend to install. Read more →