Behance’s first-ever art & design book, featuring content exclusively from the Behance Community, is now out! We’re thrilled to present 288 pages of work that demonstrates how classic approaches to art and design are being subverted, blurred, and reinvented by you, today’s creatives.
We dive in 18 themes, each showcasing work that riff on the idea of “super-modified” creative work. From unexpected uses of humble materials like felt, to how branding is moving far beyond the unchanging logo, to how handmade lettering is making a comeback – it’s clear that exciting things are happening in today’s creative landscape.
We’re gifting copies of Super-Modified: The Behance Book of Creative Work to some of you, our creative community – without you, this book would quite literally not exist.
Want to enter for a chance to win? Tell us what you think today’s most exciting creative trend is.
We’re so excited to announce that host signups for Portfolio Review Week #7, May 11-18, 2015, are officially open! Last November, we had nearly 300 reviews across the globe and the events blew us away! (check them out on our Flickr page)
Starting off as a retoucher, Henrik Adamseneventually quit his day job to become a professional fashion photographer. We were lucky enough to get to know Henrik, the incredible artist behind the project, Silverblack WOOL Campaign AW15. Find out why it wouldn’t be a bad idea to follow in Henrik’s footsteps, if you’re an aspiring artist.
Could you talk a little bit about how you started off as a photo retoucher and your development into a photographer? What was that progression like? It was actually a very long transition from being a retoucher in the mid 90s… Then moving to London and working there for a while as a retoucher, then AD-assistant / artworker, moving on into graphics design/ArtDirection, and somewhere in there I started shooting just for fun. That then turned into something serious – so I kinda had to give up my day job. I just started getting too many jobs, that I either had to take days off to do, or to take care of them in the evening. In then end, it was the best decision I ever made – I highly recommend it!
This week, Photoshop celebrated a huge milestone with it’s 25th Anniversary. We’re super proud to be part of the Adobe family and play a part in the incredible legacy Photoshop has already created. Below are some of our favorite Behance Projects, videos, and articles about the big day.
First, a great video with tons of work created with Photoshop:
Visual artist, Henrique de França, uses pencil and charcoal in Stolen Childhood | drawing series to reveal elements of his own childhood, as well as themes of Catholicism in Latin America. Henrique was kind enough to share with us his process and inspiration for the drawings. There were many drawings that he chose to not include in this project, and it’s safe to say that all of us here on Behance can’t wait to see them!
What was your inspiration for this project? Is any of the subject matter in the illustrations autobiographical or inspired by personal observations? This project is a collection of drawings I made throughout the last five years within the theme of memory. The subject, for me, automatically brings childhood to the center of the series, and although not biographical, I like creating images that resemble my own childhood and things I experienced when younger. The series also discusses themes such as catholic upbringing in Latin America, which I like to portray as a contemporary artist.
When you set out to make these drawings, did you know how many you wanted in the series, and what they would each ultimately look like, or did it develop as you went along? No, I cannot be sure of how many drawings I will have at the end of the series when I start it. I go with the flow and the need to explore the theme.
Meet Alejandro Giraldo, an illustrator and art director from Medellín Columbia who has worked on some incredible freelance projects and has great insight into inspiration, motivation and personal projects. Take a closer look!
How long have you been working in your creative field? I think humans are creative since the day they were born, but some of us just decided to get a diploma and make that for a living. So, I’ve been in my creative field for 28 years and I’ve been a freelance illustrator for 3 years now.
In this series, we’ll look deeper into some of the projects on Behance.net that are especially admired in our community. Gem Fletcher collaborated with Photographer Mads Perch to create the beautiful series Moving Time. Gem Fletcher is an Art Director who works with photographers around the world, creating award-winning photography, marrying highly conceptual art direction with the unique visual style of her collaborators. We were lucky enough to gain more insight into their project from Gem!
What was your inspiration for this project? I’m really interested in the idea of destabilization. This takes different forms, sometimes it can be about creating an illusion, leaving the viewer questioning the construction of an image and sometimes it’s about exploring the tension between reality and fantasy.
With this project we wanted to play with using projection as a material, a method of transformation within the framework of a traditional portrait.
The project was something Mads and I had discussed for several months and although we had some specific technical and aesthetic ideas, we also wanted to leave room for play and exploration. Read more →
In this series, we’ll look deeper into some of the projects on Behance.net that are especially admired in our community. Carlos Arrojo created illustrations for the book “Geografía mágica” by Ana Cristina Herreros. He is well known for his use of watercolor and design, and considers himself a versatile illustrator and a responsible person who knows how to adapt to each project. We were lucky enough to hear more about his process and inspiration for the illustrations. What was your inspiration for this project? How do you decide which color palettes to use? When I start a project, I usually review documentation looking for ideas. In this case it wasn’t so necessary because I relied on personal drawings done previously. Siruela contacted me after seeing some watercolors where I played with the ambiguity between figure and landscape, recreating spaces and volumes by weaving lines. The book is called “Geografía mágica” and contains a number of legends about Spanish geography, with anthropomorphic mountains, enchanted lakes, giants, demons, heroes…
The content is very inspiring so it facilitates me to do the job. About color, I’ve worked with a lot of freedom, leaving me. My intention was that colors of each illustration transmitted the magic and fantasy of the histories, that’s the reason of that coloring.