Behance had a large presence at Adobe’s Creative Camp during SXSW this year. The two day long series included lessons, insights and conversations about creative tools and the creative process with Adobe & Behance evangelists, product managers & design experts. Both Roxanne Schwartz & Scott Belsky represented Behance in Austin with their talks which included tips and tricks on promoting your work on the web, insights on the rise of the creative economy, as well as a book signing for Behance’s first ever book, Super Modified.
Middle Earth, Gotham City, and wherever it is The Wild Things are. What connects these seemingly distinct worlds is the art of illustrator Nico Delort. We got a chance to find out what makes him tick, and he how comes to visualize these worlds in his own unique way, as highlighted in his Best of 2014.
Your illustrations have an impressively large range, from the films of Werner Herzog to Charlie Brown, and yet you’re able to make them all visually work together when placed side by side. How do you go about choosing your subject matter and adding your unique visual style to it?
As far as choosing projects go, I usually always pick things that resonate with me on either an emotional level or an aesthetic level – also projects that I know I can put my personal touch on, like if someone asked me to do, say, an Adventure Time piece (as much as I love the show), I’d have a super hard time doing something because it’s so far from my own aesthetic and I’d have to change what makes it unique to fit my ‘vision’ and I don’t want to do that.
Can you describe your creative process when making an illustration?
For client work I always start out with a few thumbnails – once we find something we agree on, I move on to Photoshop to make a first draft of the selected thumbnail. All the preliminary work for my pieces is done digitally, as I love the flexibility the medium allows. I only move to the final ink artwork once my digital comp is 100% tight. I print out the lineart, transfer it on clayboard with carbon paper and then ink and scratch away.
Behance’s first-ever art & design book, featuring content exclusively from the Behance Community, is now out! We’re thrilled to present 288 pages of work that demonstrates how classic approaches to art and design are being subverted, blurred, and reinvented by you, today’s creatives.
We dive in 18 themes, each showcasing work that riff on the idea of “super-modified” creative work. From unexpected uses of humble materials like felt, to how branding is moving far beyond the unchanging logo, to how handmade lettering is making a comeback – it’s clear that exciting things are happening in today’s creative landscape.
We’re so excited to announce that host signups for Portfolio Review Week #7, May 11-18, 2015, are officially open! Last November, we had nearly 300 reviews across the globe and the events blew us away! (check them out on our Flickr page)
Interested in hosting? Create an event page for RSVP’s on the platform of your choice, then add the event to our brand new Portfolio Reviews Event Page on Behance
Read through the entire hosting process at behance.net/reviews/info.
Just want to attend? Find an event near you!
Starting off as a retoucher, Henrik Adamsen eventually quit his day job to become a professional fashion photographer. We were lucky enough to get to know Henrik, the incredible artist behind the project, Silverblack WOOL Campaign AW15. Find out why it wouldn’t be a bad idea to follow in Henrik’s footsteps, if you’re an aspiring artist.
Could you talk a little bit about how you started off as a photo retoucher and your development into a photographer? What was that progression like?
It was actually a very long transition from being a retoucher in the mid 90s… Then moving to London and working there for a while as a retoucher, then AD-assistant / artworker, moving on into graphics design/ArtDirection, and somewhere in there I started shooting just for fun. That then turned into something serious – so I kinda had to give up my day job. I just started getting too many jobs, that I either had to take days off to do, or to take care of them in the evening. In then end, it was the best decision I ever made – I highly recommend it!
This week, Photoshop celebrated a huge milestone with it’s 25th Anniversary. We’re super proud to be part of the Adobe family and play a part in the incredible legacy Photoshop has already created. Below are some of our favorite Behance Projects, videos, and articles about the big day.
First, a great video with tons of work created with Photoshop:
Visual artist, Henrique de França, uses pencil and charcoal in Stolen Childhood | drawing series to reveal elements of his own childhood, as well as themes of Catholicism in Latin America. Henrique was kind enough to share with us his process and inspiration for the drawings. There were many drawings that he chose to not include in this project, and it’s safe to say that all of us here on Behance can’t wait to see them!
What was your inspiration for this project? Is any of the subject matter in the illustrations autobiographical or inspired by personal observations?
This project is a collection of drawings I made throughout the last five years within the theme of memory. The subject, for me, automatically brings childhood to the center of the series, and although not biographical, I like creating images that resemble my own childhood and things I experienced when younger. The series also discusses themes such as catholic upbringing in Latin America, which I like to portray as a contemporary artist.
When you set out to make these drawings, did you know how many you wanted in the series, and what they would each ultimately look like, or did it develop as you went along?
No, I cannot be sure of how many drawings I will have at the end of the series when I start it. I go with the flow and the need to explore the theme.
Meet Alejandro Giraldo, an illustrator and art director from Medellín Columbia who has worked on some incredible freelance projects and has great insight into inspiration, motivation and personal projects. Take a closer look!
How long have you been working in your creative field?
I think humans are creative since the day they were born, but some of us just decided to get a diploma and make that for a living. So, I’ve been in my creative field for 28 years and I’ve been a freelance illustrator for 3 years now.