We’re thrilled to debut our 2014 year in review! Thanks to you, 2014 was full of great moments and amazing work. We can’t wait to see what you have in store for us in 2015!
In this series, we’ll look deeper into some of the projects on Behance.net that are especially admired in our community. Carlos Arrojo created illustrations for the book “Geografía mágica” by Ana Cristina Herreros. He is well known for his use of watercolor and design, and considers himself a versatile illustrator and a responsible person who knows how to adapt to each project. We were lucky enough to hear more about his process and inspiration for the illustrations.
What was your inspiration for this project? How do you decide which color palettes to use?
When I start a project, I usually review documentation looking for ideas. In this case it wasn’t so necessary because I relied on personal drawings done previously. Siruela contacted me after seeing some watercolors where I played with the ambiguity between figure and landscape, recreating spaces and volumes by weaving lines. The book is called “Geografía mágica” and contains a number of legends about Spanish geography, with anthropomorphic mountains, enchanted lakes, giants, demons, heroes…
The content is very inspiring so it facilitates me to do the job. About color, I’ve worked with a lot of freedom, leaving me. My intention was that colors of each illustration transmitted the magic and fantasy of the histories, that’s the reason of that coloring.
Are you ready to “make a dent in the universe”? As a creative, you no longer have to take a backseat. In fact, stepping up and embracing entrepreneurship is the fastest route to impact. But where do you start? And what sets the businesses that succeed apart?
To find out, we asked the bright minds behind companies like Google X, Warby Parker, Facebook, O’Reilly Media, and more to share their startup wisdom. Featuring hard-won wisdom from twenty leading entrepreneurs and designers, 99U’s Make Your Mark will arm you with practical insights for launching a purpose-driven business, refining your product, delighting your customers, inspiring your team—and ultimately—making something that matters.
In this series, we look deeper into some of the projects on Behance.net that are especially admired in our community. Brandon Ray is a self-taught animator specializing in stylized paper-based animation. Since he launched Paper Brain Productions, the company has won five awards at various international film festivals. In 2013, he was asked to create the music video for Bill Carter‘s song, “Anything Made of Paper.” Read ahead for more information on his process and how he came up with his ideas!
What was your inspiration for this project? What does the story/song mean to you?
The inspiration for the project comes from the songwriters themselves, Bill Carter and Ruth Ellesworth. The song was a gift they made for their friend Damien Echols, composed at a time in his life where he was waiting on death row, accused of a crime he didn’t commit. Damien had sent Bill and Ruth three paper roses as a gift when his wife Lorri Davis was visiting them. When Bill asked what he could give Damien as a gift in return while he was on death row, the answer was, “Anything made of paper.” So that’s what inspired Bill and Ruth to write the song. The hope we must cling to in the face of injustice. Read more →
It’s day four of Portfolio Review week #6 and we have seen some incredible pictures posted from these global events. Here are a few of our favorites:
In this series, we’ll look deeper into some of the projects on Behance.net that are especially admired in our community. Cihan Ünalan worked with art director Tolga Ozbakir to create The Plague. Cihan is currently an advertising photographer in Istanbul and Los Angeles. His passion began with bringing his heroes to life through photography, after being unable to find another medium that satisfied his thirst. We were lucky enough to hear about the process and inspiration behind The Plague from Cihan himself.
What was your inspiration for this project?
I think the most important thing with this kind of a project is finding the right team to work with. I was sitting on this concept for at least a year but I was having trouble in turning it into a series. It wasn’t until I met Tolga Özbakır, my partner in this project, that the idea for this shoot was properly shaped. I shared the materials and ideas I had for a possible shoot and we worked from there.
In the beginning, we only had the Goggles and the Gas Mask in our hands, which I bought from San Diego Comic Con 2013. These materials had a steampunk design, so these little props were actually quite a lead for us to start with. We are both highly influenced from comic books, movies, concept arts and retro-futuristic designs, so we had a lot of common ideas for this project. I think its safe to say that the props led us down the path that we ended up.
Can you tell us about the story behind the project and what it means to you? Are there certain aspects of it that are open to interpretation by the viewer?
It’s funny because everyone interpreted something different when they looked at the project. All of the interpretations were more or less around the idea that there is a sickness going on, or someone was sick; and some others included that the girl leaves the man because he was working too much. Read more →
This week is Adobe MAX, our yearly event where 6,000 creatives from all over the world are joining us in LA (not to mention another half a million tuning in online)! MAX is where the creative community comes together to share ideas, inspiration and learn from one another. During yesterday’s keynote, we got the chance to announce Behance’s newest service, Creative Talent Search, along with a long list of exciting updates and new products all geared toward giving you the tools and services you need to create.
This event is also a great opportunity to showcase the inspiring work that Behance members post every day. We’re thrilled that we got to embed your work in so much of the conference – whether it’s work featured on the big screen before the keynotes, or looping on monitors all over the theater, or in a more interactive way in pop-up Portfolio Reviews in the Community Tent – your work is all over. Some snapshots below:
As hosts around the world make preparations for their Portfolio Review Week events, a few have shared the behind-the-scenes process with videos! Here’s a roundup of sneak peek videos from hosts in Santiago, Baltimore, Pescara, and more!
In this series, we’ll look deeper into some of the projects on Behance.net that are especially admired in our community. Alberto Seveso‘s passion for graphic arts started in the early 1990s, through his fascination with the graphics of skate decks and the album covers for metal bands. His project on Behance, Digital Vomit Pt 1, demonstrates the influence of these inspirations and how he has transformed them to create his own art.
What was your inspiration for this project?
The inspiration is something that surrounds us all; you can’t see it, but she can see us. Sometimes it appears and you have to be quick to grab it.
I’m surrounded by painters. I love painters. When I see beautiful projects on Behance done by a great painters, I want to be a painter! But I’m not a painter; I’m not good at drawing with pencils or brushes. I always admired people who can draw and paint for real.