Category: Community

Behind the Project: Stamps, Post Denmark

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Peter Dam is a Odense, Denmark- based illustrator and designer. “Stamps, Post Denmark” is his first project on Behance.

What was your inspiration for this project?
I was working on another project making a visual portrait of Denmark. When surfing the web for pictures of Denmark, I suddenly spotted—between two pictures of Hans Christian Andersen—a funny picture of a plate with two pieces of danish. I remember thinking “that’s so typical of Danish culture!”

Later that day, I was waiting in line at the post office and saw a new stamp series with a motif of Danish allotments in the sun. That was also so typical of Danish culture!
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Adobe & Sketchfab: A Match Made in 3D Heaven

For the past 24 years, Adobe Photoshop has helped push the creative world forward.  We’ve been able to take what used to be a completely analog act like drawing and digitized it.  Only in our wildest dreams could we imagine having a flat image, analog or digital, come to life.  Now with the advancement and accessibility of 3D printers, almost anyone can go from sketch-to-prototype in minutes.  Now, Photoshop has made this transition even easier with built-in tools that export to services like Sketchfab that allow viewers to completely interact with a 3D model.  Now with a few clicks, you can go from a Photoshop file to a prototype and a Behance project.

 

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For more info on how Sketchfab is helping move the 3D needle forward, be sure to check out their blog update here.

Already up and going with Sketchfab and Behance?  Get posting!

For full info on Adobe Photoshop’s foray into the 3D world, check out this.

The Dare to Share Remix Project

The upcoming Behance Portfolio Review Week is a pretty important one.  This May, we celebrate the fifth installment of PRW and we’re daring our community to share.  Showing and discussing your personal creative work can feel scary, but we feel it’s the key to building an amazing creative community.

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To get the creative juices flowing, we’re daring our community to share their interpretation of our “Dare To Share” sticker.  We’ve been posting these all around, but we want to see what you’ve got.

Using the medium of your choice, incorporate Dare to Share into a Behance project.  Use your imagination and go crazy!  When you’re ready to share, tweet at @behanceteam and add #PRWdaretoshare.  We’ll be searching for those tweets and in the weeks leading up to May 12th, we’ll feature tweets, Facebook posts, and Instagrams of our favorites!

Keep on sharing!

- The Behance Community Team

A Closer Look with Alex Yaeger

We had a great time interviewing Alex Yaeger, a graphic designer and illustrator who focuses on creating original and intriguing concepts to best serve his clients. 

How long have you been in design?
In some ways, since I was a child. My parents were both landscape architects by degree and I was always surrounded by an abundance of drafting tools. I always enjoyed fictional settings in illustrated books and video games that fleshed out their worlds with logos, maps, and schematics. I would often emulate those sorts of creations in my spare time and especially during less-appealing classes in school. At one point, I even designed a logo for a photography studio my mother temporarily worked at. Despite this, I didn’t realize that I wanted to make a career out of my creativity until I was in my second year of college. Having been somewhat aimless and uncertain about my future before, entering the graphic design program really opened my eyes and realized that this was what I was meant to do. Before I left school, I was already tackling freelance and contracted work.

Do your personal projects differ from your professional work? If yes, how so?
I tend to think about each project very passionately. Working professionally, this has caused some deal of anxiety as, in the end: a designer does have to defer final say to a client or director. I have gradually learned to accept this and persevere in fulfilling the duties required of me. I think this is an internal struggle all creatives face when making a living based on their talents, sometimes we care too much for our own good. Personal projects and creative exercises are a good way to prevent burn out and, in the end, tend to appeal to and bring in potential clients the most.

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Success Story: Kim Høltermand

This week we’re featuring a great story from one of our most viewed contributors, Kim Høltermand.

Any of our Behance users who have opened up Prosite for the first time may already be familiar with his sample homepage, but when he decided to join Behance way back in 2007, Kim Høltermand didn’t know what to expect.   He comes from a creative family–his father an artist, his grandfather an architect– but Mr. Høltermand only picked up photography recently as a side project from his rather unusual career as a fingerprints expert in the Crime Scene Unit of The Danish National Police.

 

“Joining Behance changed my life.”

 

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Behind the Project: Life of A Superhero

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Andreas Englund is a Stockholm, Sweden- based artist and art director. “Life of A Superhero” is his first project on Behance.

What was your inspiration for this project?
My visual inspiration originates from my fascination of the human body and Greek sculpture. Conceptually, I get inspired when I’m forced to see things from a new perspective. For me, Greek sculpture is like the main image of the classic Superhero – but without the costume. In general, these superheroes are stereotypes; they are perfect people. In this case wanted to question that stereotype. From there, it wasn’t a huge leap to put a costume on on this old Greek sculpture and then put him in alternative, human situations.

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Can you describe your process in creating this project?
My first motif was “Strawberryjam”– the superhero trying to open a jar of strawberry jam. At first I wanted to paint a new version of the old greek sculpture ”The Discus Thrower”. I wanted to put him in a new context and call him “The Can Opener.” In that process I came up with the idea to put a superhero costume on him– and then the Superhero was born.
The next step actually came one year later when he (the Superhero) was supposed to be beaten up by an older dude in the painting ”Fight”. I had a problem with that motif because it was the older guy who became interesting and I had no story for him. In that process I found out that he could be the older version of the same superhero – still kicking ass. After that painting I had it all figured out, and could continue with this concept of portraying the whole life of a Superhero, uncensored and exposed.

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Did you expect it to be as popular as it’s been on The Behance Network?
I received a lot of positive feedback during this project and I knew a lot of people appreciated this series but I could never imagine it to be this popular. It’s truly a fantastic feeling. I have to thank everybody who has taken time to comment on my project. It means a lot.


“I tried to come up with situations that weren’t obvious and that were not over played. When something is humorous, you want to tone it down rather than enhance it. Otherwise it loses it’s drama and becomes obvious and uninteresting. People are intelligent, and want to be treated that way.”


Did you go through many versions and iterations before coming up with these final pieces?
I guess the number of versions are limitless, and I had a lot of ideas that never made it to the canvas. I tried to come up with situations that weren’t obvious and that were not over played. When something is humorous, you want to tone it down rather than enhance it. Otherwise it loses it’s drama and becomes obvious and uninteresting. People are intelligent, and want to be treated that way.

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Do you feel that this project is “done,” or is there anything you’d like to improve on or change in the future?
The Superhero concept helped me to build my foundation as an artist and now I have lot of other ideas and concepts that I want to explore.
That said, I still have a lot of ideas that I haven’t had time to finish yet about the Superhero… so there will be more stories to tell about this character in the future.

Did anything interesting happen as a result of the success of this project? (fans contacting you, job opportunities, blogs picking it up, etc).
Yes it did! All of the above actually. Since I do have some of my work in Los Angeles, I hope this could lead to new contacts in the US who want’s to exhibit my work. We will see what happens. Either way I’m very satisfied with how things have turned out!

2014 Winter Games on Behance

While it’s not recognized as an official sport (…yet), Creatives on Behance have been busy showing off their best work to commemorate the 2014 Winter Games. Below are snippets from our favorite projects that showcase work from all sorts of places–ad work, editorials, apps, and even industrial design. Click on a photo to take you to the full project!

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SOCHI 2014 Winter games sport illustration for NYT by Francesca D’Ottavi

 

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Behind the Project: Experiments with Instagram

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Javier Perez is an Ecuador- based graphic designer and audivisual producer. His other projects include experimental animations, clever stop-motion ads and playful projects using Vine. We spoke with him about his recent projects Instagram Experiments, part I and II. 

What was your inspiration for this project?
The simplicity within common every day items. These objects are beautiful by themselves and my work is to add a visual meaning to them. Every day I discover different meanings.

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A Closer Look with Gina Kiel

We had a great time interviewing Gina Kiel, a freelance illustrator based in New Zealand. As a versatile illustrator and full time mom, she emphasizes the importance of maintaining creativity in her household. 

Do your personal projects differ from your professional work? If yes, how so?
I like to be versatile so that I can take on a range of good projects which don’t always have to match with my personal work, it keeps things interesting and challenging. It’s good to mix it up so everything doesn’t end up looking the same. I put lots of love into every project I work on so I think there’s naturally an essence that ties all my work together, it’s all coming from the same place. I am pretty selective about projects that I show on my website, it’s the work I most enjoy creating and the directions I’d like to explore further. I believe one of the ultimate achievements is to attract professional commissions based on personal work.

What do you think are the most important elements to focus on, when creating a personal website?
Keeping the design of the website simple and minimal to let the work itself be the main focus is important, I think. To put thought into presenting different projects well visually and making the descriptions short but clear. Choose your best work to display and make sure you keep on top of it, update it, maintain your blog, put new work on and take off any old work that you no longer relate to, keep it current.

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Behind the Project: A Different Family Portrait

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Camilla Cantrambone is a Florence based photographer. Her other projects include the cover of “Piazza Italia” magazine, and playful posters and direction for the Little Veg Book. We spoke with her about her recent project “Portraits of my Family,” creative takes on the traditional portrait using beloved objects.

What was your inspiration for this project?
I’ve always been fascinated by objects, and I think every person is represented by their personal objects; the objects they choose and the way they use them tells you a story. When I started doing this project, I felt that the objects belonged to my relatives. They were still full of energy and capable of reminding me of moments I shared with them. In order to recreate specific memories, I started to reorganize these objects. For example, if I look at an image of my grandpa Mario, I can go back to a time when we sat at his writing table and fully feel the mood of that moment. The objects represented in every picture don’t talk about the entire life of my grandpa, but they deeply describe a moment I shared with him.


“The objects represented in every picture don’t talk about the entire life of my grandpa, but they deeply describe a moment I shared with him.”



 Did you expect it to be as popular as it’s been on The Behance Network?

Not at all! Being a personal project I’d never thought to be so popular, but I’m glad I could communicate and share my feelings to people I don’t even know

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